Uruk$506606$ - translation to dutch
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Uruk$506606$ - translation to dutch

CARVED ALABASTER VESSEL FOUND IN A SUMERIAN TEMPLE COMPLEX IN URUK, IRAQ
Uruk Vase; Walker Vase; Walker vase
  • Replica of the vase in the [[Pergamon Museum]] in Berlin, Germany
  • Uruk Vase Guide to Proto-Cuneiform

Uruk      
n. Soemerische stad in vroeger Mesopotamië nabij de rivier de Eufraat (bekend als Erech in de Bijbel)
dried apricots         
  • Dried apricots containing between 2500 and 3000 ppm SO<sub>2</sub>, range from light yellow to orange in color.
  • Chocolate-coated dried apricots, a popular type of confectionery in [[Russia]] and [[Kazakhstan]]
  • Many varieties of dried apricots are sold in [[Uzbekistan]]
DEHYDRATED FRUIT PRUNUS SECT. ARMENIACA
Kuraga; Dried apricots
n. abrikozen zonder sap, gedroogde abrikozen

Definition

Orc

Wikipedia

Warka Vase

The Warka Vase or Uruk vase is a slim carved alabaster vessel found in the temple complex of the Sumerian goddess Inanna in the ruins of the ancient city of Uruk, located in the modern Al Muthanna Governorate, in southern Iraq. Like the Uruk Trough and the Narmer Palette from Egypt, it is one of the earliest surviving works of narrative relief sculpture, dated to c. 3200–3000 BC. Simple relief sculpture is also known from much earlier periods, from the site of Göbekli Tepe, dating to circa 9000 BC.

The bottom register displays naturalistic components of life, including water and plants, such as date palm, barley, and wheat. On the upper portion of the lowest register, alternating rams and ewes march in a single file. The middle register conveys naked men carrying baskets of foodstuffs symbolizing offerings. Lastly, the top register depicts the goddess Inanna accepting a votive offer. Inanna stands at the front portion of the gate surrounded by her richly filled shrine and storehouse (identifiable by two reed door poles with dangling banners). This scene may illustrate a reproduction of the ritual marriage between the goddess and Dumuzi, her consort that ensures Uruk's continued vitality. The vase depicts an example of hierarchy being a portion of nature, and, according to anthropologist Susan Pollock, shows that social and natural hierarchies were most likely akin to each other in ancient Mesopotamia.